There are many legitimate concerns as to what and why jam sessions are what they are. Finally, it includes the prospective jammer’s ability to honestly and critically determine their own ability in order to ascertain whether to join the jam, observe (listen, watch and maybe even tape) the jam, or perhaps find another jam more in line with one’s ability and/or style of music played. There are many dynamics at work, not the least of which are personalities and history of the players (both individually and collectively) and the ability to evaluate the skill level of the session as it is forming or during its course. This is what makes a jam session a jam session. The truth of the matter is that not all jams are created equal and everyone at a given session is not of equal ability or talent. Each of us had our stories of the jam session from hell as well as the heavenly sessions we have been a part of. Begin a discussion about jam sessions and you bring up one of the most emotional subjects there is for musicians. As you might guess the issue of jam etiquette came up. As we played and traveled, we talked and talked about the various music scenes in our respective areas and about everything pertaining to life, liberty and the pursuit of Old Time Music. ![]() It was truly a pleasure to have her with visit and travel for more than a week. Several years ago a good fiddler friend, Claudia, came east to go to some festivals with me. Some are less so, and that goes for the professional as well as the non-professional pickers. ![]() Many of these folks are accessible and accommodating musicians whom I’ve come to know and respect. It’s the time of year when I get to see, hear and play with some of my favorite musicians. OR: How to Play Nice with others.įestival season is a great time to look forward to. They come under the heading of Jam Etiquette. That includes how to jam, when to jam, how to start a jam, what is a jam and how do I deal with going to a jam as well as other topics relating to jam sessions. No, it isn’t the end of the conversation, merely a beginning.Īn often-discussed topic tends to be jam sessions. It is still a popular article and I have published it here in an updated form by popular request. It is also Appendix 1 in both Clawhammer Banjo From Scratch (2003 – Mel Bay 20190) and Fiddle From Scratch (2013 – Mel Bay 22256) – my basic instruction books for those instruments. ![]() This article was originally written in back in 2001 or 2 and has appeared in various forms since then.
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